It's Alive!
Last Friday, Benson I went by the San Jose Museum of Art to check out their Suburban Escape exhibit (about representations of Suburbia in art).
While there, we also stopped by the Edge Conditions exhibit, which was installed just before ZeroOne.
By far the most interesting piece that I saw in these exhibits (as well as a smaller one in the basement) was Listening Post. Essentially, Listening Post provides a glimpse into the consciousness of the Internet. It collects real-time conversations and presents snippets of them in intriguing ways. For example, it finds bits of conversations starting with "I like" or "I love" and, both reads them out using a male computerized voice and displays them as scrolling text on one of a collection of small panels. This is done over a background of soft techno-y music. For example, when I returned yesterday, some of the statements were:
- I like your pants.
- I love kids.
- I love men.
- I like being able to be contacted.
- I like Tony Blair.
- I like the name of this chatroom.
- I like terrorists.
- I like him bareback.
- I love dead Jesus lovers.
- I like to receive.
- I love Linux.
The way these are presented makes it difficult to really hear many of them. The synthetic voice messes up words sometimes, and people often have typos that the synthesized voice tries valiantly to pronounce. Although the text is also being displayed, it is being displayed only four letters at a time scrolling by, with many different statements scrolling at the same time, so it is hard to find the most recent one.
The effect is one of confusion, with just ephemeral glimpses into the worlds of other people. Combined, you end up getting a real sense of the enormity of humanity, the fact that at any moment there are billions of different lives going on with different thoughts, cares, concerns, et cetera. There's nothing new about this concept, but a work of art like this helps bring it into focus in your mind.
There are other sections of the work as well: longer phrases get read out overlapping each other; all of the panels fill with random four letter words; and different tones of the synthesized voice read out a series of words in a sing-songy manner. Although there is a separation between these different sections, they all end up having the same effect.
After the first visit (and during my second visit), I started to think about why I liked this piece more than most of the others I had seen. I realized the answer was that this piece of work was "alive." The creators had established a set of rules, and their art was applying those rules to the world as it is today. The work was ever changing.
An argument could be made that all good art is alive, because it involves a conversation between the audience and the art. How a picture is interpreted by an individual, at different times and in different settings. I can appreciate this, but to me the difference here is that there is a conversation of sorts between the audience and the art, but that the piece of art itself is static. (Okay, okay... sure, maybe the materials deteriorate over time such as many Eva Hesse works, but I enjoy those pieces of art for being alive as well.)
I'm not arguing that a piece of art being alive makes it better--only that I personally find it more appealing. Perhaps this comes from my background as an engineer, and my joy in seeing the interactions between things. In the case of Listening Post, the "aliveness" also comes from the Internet, something that is dominant in my life and work, making it even more interesting and, thus, appealing to me. My interest could also come from my time at the Media Lab, where we were all about presenting information in artistically appealing and interactive ways.
I was curious as to what happened to Listening Post at night, when there was no one around to hear or see it. (During the day, the synthesized voice and music bleeds into most of the museum.) I found out from one of the staff members that they shut it off at night. Funnily, I was a bit disappointed in this thinking that since the Internet doesn't sleep, the artwork shouldn't either. I realized that I was starting to assign qualities of life to the artwork, as if my thinking of the work as "alive" was going beyond the original sense I meant ("dynamic") and that I was thinking of it as an almost human channeler of the cacophony of the Internet.
Not much artwork can have this power over me.
I'm just glad we purchased a membership to the museum on that day, so that I can return whenever I want for free.